{"id":3836,"date":"2022-07-09T00:00:19","date_gmt":"2022-07-09T00:00:19","guid":{"rendered":"https:\/\/nadinospina.org\/?page_id=3836"},"modified":"2022-07-09T00:22:42","modified_gmt":"2022-07-09T00:22:42","slug":"del-otro-mundo","status":"publish","type":"page","link":"https:\/\/nadinospina.org\/en\/del-otro-mundo\/","title":{"rendered":"DEL OTRO MUNDO 2015 \u2013 2016"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" fetchpriority=\"high\" decoding=\"async\" width=\"640\" height=\"479\" data-attachment-id=\"3839\" data-permalink=\"https:\/\/nadinospina.org\/en\/del-otro-mundo\/foto-del-otro-mundo-1\/\" data-orig-file=\"https:\/\/i0.wp.com\/nadinospina.org\/wp-content\/uploads\/2022\/07\/foto-del-otro-mundo-1.png?fit=1123%2C841&amp;ssl=1\" data-orig-size=\"1123,841\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"foto-del-otro-mundo-1\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/nadinospina.org\/wp-content\/uploads\/2022\/07\/foto-del-otro-mundo-1.png?fit=640%2C479&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/nadinospina.org\/wp-content\/uploads\/2022\/07\/foto-del-otro-mundo-1.png?resize=640%2C479&#038;ssl=1\" alt=\"\" class=\"wp-image-3839\" srcset=\"https:\/\/i0.wp.com\/nadinospina.org\/wp-content\/uploads\/2022\/07\/foto-del-otro-mundo-1.png?w=1123&amp;ssl=1 1123w, https:\/\/i0.wp.com\/nadinospina.org\/wp-content\/uploads\/2022\/07\/foto-del-otro-mundo-1.png?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/nadinospina.org\/wp-content\/uploads\/2022\/07\/foto-del-otro-mundo-1.png?resize=1024%2C767&amp;ssl=1 1024w, https:\/\/i0.wp.com\/nadinospina.org\/wp-content\/uploads\/2022\/07\/foto-del-otro-mundo-1.png?resize=768%2C575&amp;ssl=1 768w, https:\/\/i0.wp.com\/nadinospina.org\/wp-content\/uploads\/2022\/07\/foto-del-otro-mundo-1.png?resize=16%2C12&amp;ssl=1 16w, https:\/\/i0.wp.com\/nadinospina.org\/wp-content\/uploads\/2022\/07\/foto-del-otro-mundo-1.png?resize=800%2C600&amp;ssl=1 800w, https:\/\/i0.wp.com\/nadinospina.org\/wp-content\/uploads\/2022\/07\/foto-del-otro-mundo-1.png?resize=400%2C300&amp;ssl=1 400w, https:\/\/i0.wp.com\/nadinospina.org\/wp-content\/uploads\/2022\/07\/foto-del-otro-mundo-1.png?resize=200%2C150&amp;ssl=1 200w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">The series <strong>\"DEL OTRO MUNDO\" (OF THE OTHER WORLD),<\/strong> focuses on the fantastic and fictional production of the entertainment world: cinema, television, comics and the inexhaustible universe of its by-products, pop collectibles.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Aqu\u00ed se sintetizan muchas preocupaciones que han sido claves en la obra anterior; la detecci\u00f3n&nbsp; y la reafirmaci\u00f3n de las fusiones e interacciones culturales, la representaci\u00f3n aleg\u00f3rica de los&nbsp; encuentros simb\u00f3licos como met\u00e1fora del acontecer hist\u00f3rico contempor\u00e1neo, el humor como&nbsp; herramienta de reflexi\u00f3n, la apelaci\u00f3n a la imaginer\u00eda de la cultura Pop con la consecuente&nbsp; reaparici\u00f3n de los seres fant\u00e1sticos y los referentes precolombinos.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En esta serie aparece un nuevo personaje, o es m\u00e1s bien un tema nuevo; el extraterrestre, un&nbsp; \u00edcono de la ficci\u00f3n que se convierte en met\u00e1fora del extranjero, del forastero, de lo misterioso, de&nbsp; lo oculto, de lo peligroso. El alien\u00edgena es un humanoide, un ser gen\u00e9rico, no es el retrato de&nbsp; nadie en particular, es una representaci\u00f3n de <strong>\u201cEl otro\u201d.&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Los conceptos de \u201cel Otro\u201d, \u201cla otredad\u201d, \u201cla alteridad\u201d; han sido t\u00f3picos fundamentales de los&nbsp; estudios de las ciencias sociales en su intento por explicar las problem\u00e1ticas intr\u00ednsecas a la&nbsp; interacci\u00f3n humana. La idea de <strong>\u201cEl otro\u201d <\/strong>como opuesta al concepto de identidad, define la&nbsp; experiencia de la confrontaci\u00f3n con lo extra\u00f1o, lo ajeno, lo diferente, lo lejano, lo incierto.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">Arthur Rimbaud in May 1871, in his Letters of the Seer, introduces his famous phrase \"Je est un autre\" (\"I am another\"). The poet says: (\"I am another. So much the worse for the wood that is discovered violin, and mocks against the unconscious, who pontificate on what they completely ignore!\").  A premonitory literary introduction to an idea later taken up by philosophy, psychoanalysis and anthropology to point out the negative aspects arising from cultural exchanges, migrations, displacements and violence resulting from colonialism, subjugation and inequality.<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">This theme of otherness symbolically represented by the image of the alien brings me back to current issues. I think of the social problems generated by forced migrations, and how tensions are expressed in concepts such as alien vs. aboriginal and allochthonous vs. autochthonous.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El \u201cimaginario colectivo\u201d, un concepto de las ciencias sociales, acu\u00f1ado en los a\u00f1os 60s por&nbsp; Edgar Mor\u00edn, designa al conjunto de mitos y s\u00edmbolos que, en cada momento, funcionan&nbsp; efectivamente como la &#8220;mente&#8221; social colectiva.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Este imaginario colectivo alimentado, tanto en su dimensi\u00f3n real como imaginaria por los medios&nbsp; de comunicaci\u00f3n crea arquetipos universales que refuerzan un sentido de comunidad&nbsp; conservadora y que se introducen insidiosamente en los productos de consumo, desarrollando&nbsp; arquetipos negativos de alteridad que funcionan como su &#8220;Hades&#8221; (imaginario negativo).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Frecuentemente, estas representaciones fantasiosas de la alteridad llegan a trascender el&nbsp; entorno real y adquieren la fuerza y la belleza del mito, convirti\u00e9ndose en iconos populares, pero&nbsp; en muchos casos, inevitablemente conllevan los peores prejuicios xen\u00f3fobos que implantan la&nbsp; imagen colectiva del criminal, del impresentable, del monstruo universal.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">DEL OTRO MUNDO es alegor\u00eda, es recreaci\u00f3n nost\u00e1lgica del retro futurismo kitsch y es&nbsp; met\u00e1fora de la contemporaneidad y sus circunstancias.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"640\" height=\"481\" data-attachment-id=\"3843\" data-permalink=\"https:\/\/nadinospina.org\/en\/del-otro-mundo\/foto-del-otro-mundo-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/nadinospina.org\/wp-content\/uploads\/2022\/07\/foto-del-otro-mundo-2.png?fit=1124%2C844&amp;ssl=1\" data-orig-size=\"1124,844\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"foto-del-otro-mundo-2\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/nadinospina.org\/wp-content\/uploads\/2022\/07\/foto-del-otro-mundo-2.png?fit=640%2C481&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/nadinospina.org\/wp-content\/uploads\/2022\/07\/foto-del-otro-mundo-2.png?resize=640%2C481&#038;ssl=1\" alt=\"\" class=\"wp-image-3843\" srcset=\"https:\/\/i0.wp.com\/nadinospina.org\/wp-content\/uploads\/2022\/07\/foto-del-otro-mundo-2.png?w=1124&amp;ssl=1 1124w, https:\/\/i0.wp.com\/nadinospina.org\/wp-content\/uploads\/2022\/07\/foto-del-otro-mundo-2.png?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/nadinospina.org\/wp-content\/uploads\/2022\/07\/foto-del-otro-mundo-2.png?resize=1024%2C769&amp;ssl=1 1024w, https:\/\/i0.wp.com\/nadinospina.org\/wp-content\/uploads\/2022\/07\/foto-del-otro-mundo-2.png?resize=768%2C577&amp;ssl=1 768w, https:\/\/i0.wp.com\/nadinospina.org\/wp-content\/uploads\/2022\/07\/foto-del-otro-mundo-2.png?resize=16%2C12&amp;ssl=1 16w, https:\/\/i0.wp.com\/nadinospina.org\/wp-content\/uploads\/2022\/07\/foto-del-otro-mundo-2.png?resize=800%2C600&amp;ssl=1 800w, https:\/\/i0.wp.com\/nadinospina.org\/wp-content\/uploads\/2022\/07\/foto-del-otro-mundo-2.png?resize=400%2C300&amp;ssl=1 400w, https:\/\/i0.wp.com\/nadinospina.org\/wp-content\/uploads\/2022\/07\/foto-del-otro-mundo-2.png?resize=200%2C150&amp;ssl=1 200w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/figure>","protected":false},"excerpt":{"rendered":"<p>La serie DEL OTRO MUNDO, se enfoca en la producci\u00f3n fant\u00e1stica y de ficci\u00f3n del mundo del&nbsp; entretenimiento: el cine, la televisi\u00f3n, el comic y el universo inagotable de sus subproductos, los&nbsp; objetos pop de colecci\u00f3n.&nbsp; Aqu\u00ed se sintetizan muchas preocupaciones que han sido claves en la obra anterior; la detecci\u00f3n&nbsp; y la reafirmaci\u00f3n de [&hellip;]<\/p>\n","protected":false},"author":154715982,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","advanced_seo_description":"Del otro mundo, obra Nad\u00edn Ospina","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_wpcom_ai_launchpad_about_page":false,"_wpcom_ai_launchpad_gallery_page":false,"_wpcom_ai_launchpad_contact_page":false,"_wpcom_ai_launchpad_events_page":false,"_wpcom_ai_launchpad_video_page":false,"_wpcom_ai_launchpad_portfolio_piece":false,"footnotes":""},"class_list":["post-3836","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/PaPj6W-ZS","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/nadinospina.org\/en\/wp-json\/wp\/v2\/pages\/3836","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nadinospina.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nadinospina.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nadinospina.org\/en\/wp-json\/wp\/v2\/users\/154715982"}],"replies":[{"embeddable":true,"href":"https:\/\/nadinospina.org\/en\/wp-json\/wp\/v2\/comments?post=3836"}],"version-history":[{"count":13,"href":"https:\/\/nadinospina.org\/en\/wp-json\/wp\/v2\/pages\/3836\/revisions"}],"predecessor-version":[{"id":3855,"href":"https:\/\/nadinospina.org\/en\/wp-json\/wp\/v2\/pages\/3836\/revisions\/3855"}],"wp:attachment":[{"href":"https:\/\/nadinospina.org\/en\/wp-json\/wp\/v2\/media?parent=3836"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}