{"id":1561,"date":"2020-03-23T21:28:34","date_gmt":"2020-03-23T21:28:34","guid":{"rendered":"https:\/\/nadinospina.org\/?page_id=1561"},"modified":"2022-07-26T20:42:40","modified_gmt":"2022-07-26T20:42:40","slug":"sala-encuentros","status":"publish","type":"page","link":"https:\/\/nadinospina.org\/en\/sala-encuentros\/","title":{"rendered":"MEETING ROOM"},"content":{"rendered":"
Video art<\/a><\/h5>\n\n\n\n
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General view. Work \"La Espera\" (The Waiting) <\/strong>in the foreground<\/figcaption><\/figure>\n\n\n\n

OF THE OTHER WORLD. ENCOUNTERS<\/em><\/p>\n\n\n\n

Siendo el encuentro<\/em> un paso imprescindible para que se produzca cualquier relaci\u00f3n e intercambio, la exposici\u00f3n plantea esta primera sala como un espacio divertido y provocador. Los encuentros <\/em>de los elocuentes retablos quimbaya con diversos personajes creados por el hombre en relatos variados: el medio humano medio vulcaniano comandante Spock, el capit\u00e1n Kirk, el reportero Tint\u00edn, un pariente de Alien\u2026 figuras principalmente de ciencia ficci\u00f3n, producen sonrisa y extra\u00f1eza. El extraterrestre es un Otro gen\u00e9rico, nunca inferior al ser humano. Un Otro que expresa el anhelo, el miedo y la fascinaci\u00f3n que compartimos los humanos sobre seres que inventamos y situamos en otros mundos.<\/em><\/p>\n\n\n\n

The projection of excerpts from science fiction films leads us to different visions of a future that was, now future past, that will never take place. The idea of kitsch retro futurism<\/em> permeates throughout this series, giving us clues about the mythical constructs that surround human interaction.<\/p>\n\n\n\n

\"Del otro mundo\" <\/em>brings together a series of works in which the extraterrestrial and the image of pre-Hispanic art are combined to metaphorically represent intercultural encounters and misunderstandings.<\/p>\n\n\n

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General view. Work \"Encuentro\" (Encounter)<\/strong> close-up.<\/figcaption><\/figure>\n<\/div>\n\n
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General view. Work \"Encuentro\" (Encounter)<\/strong> close-up.<\/figcaption><\/figure>\n<\/div>\n\n
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Retablo. Figura cer\u00e1mica representando un cacique. Cultura Quimbaya. Colombia. 1200-1500 d.C. Arcilla y oro. 24×22,5×14 cm. Colecci\u00f3n del Museo de Am\u00e9rica.
<\/figcaption><\/figure>\n<\/div>\n\n\n
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Quimbaya Altarpiece
<\/figcaption><\/figure>\n\n\n\n

Unpacking of the piece<\/a><\/p>\n\n\n

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\"El Colonialista\" (The Colonialist).<\/strong> Close-up<\/figcaption><\/figure>\n<\/div>\n\n
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General view of the room<\/figcaption><\/figure>\n<\/div>\n\n
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General view of the room<\/figcaption><\/figure>\n<\/div>\n\n
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General view of the room<\/figcaption><\/figure>\n<\/div>\n\n
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General view of the room<\/figcaption><\/figure>\n<\/div>\n\n
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Top view of the room<\/figcaption><\/figure>\n<\/div>\n\n
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\"El Duelo\" (The Duel). <\/strong>Close-up<\/figcaption><\/figure>\n<\/div>\n\n
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\"La llegada\" (The arrival).<\/strong> Detail.<\/figcaption><\/figure>\n<\/div>\n\n
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\"La Marcha\" (The March).<\/strong> \n Close-up<\/figcaption><\/figure>\n<\/div>\n\n
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\"La Ronda\" (The Round)<\/strong>. Close-up.<\/figcaption><\/figure>\n<\/div>\n\n
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\"Rescate\" (Rescue)<\/strong>. Close-up.<\/figcaption><\/figure>\n<\/div>\n\n
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\"La Espera\" (The Waiting)<\/strong>. Detail<\/figcaption><\/figure>\n<\/div>\n\n\n
About the work<\/a><\/h5>\n\n\n\n
AMERICAN ROOM<\/a><\/h5>\n\n\n\n
FAMILY PORTRAIT ROOM, MONSTERS AND BODYBUILDERS<\/a><\/h5>\n\n\n\n
LA MEDUSA ROOM<\/a><\/h5>","protected":false},"excerpt":{"rendered":"

Video arte DEL OTRO MUNDO. ENCUENTROS Siendo el encuentro un paso imprescindible para que se produzca cualquier relaci\u00f3n e intercambio, la exposici\u00f3n plantea esta primera sala como un espacio divertido y provocador. Los encuentros de los elocuentes retablos quimbaya con diversos personajes creados por el hombre en relatos variados: el medio humano medio vulcaniano comandante […]<\/p>\n","protected":false},"author":154715982,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_crdt_document":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"footnotes":""},"class_list":["post-1561","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/PaPj6W-pb","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/nadinospina.org\/en\/wp-json\/wp\/v2\/pages\/1561","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nadinospina.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nadinospina.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nadinospina.org\/en\/wp-json\/wp\/v2\/users\/154715982"}],"replies":[{"embeddable":true,"href":"https:\/\/nadinospina.org\/en\/wp-json\/wp\/v2\/comments?post=1561"}],"version-history":[{"count":26,"href":"https:\/\/nadinospina.org\/en\/wp-json\/wp\/v2\/pages\/1561\/revisions"}],"predecessor-version":[{"id":4724,"href":"https:\/\/nadinospina.org\/en\/wp-json\/wp\/v2\/pages\/1561\/revisions\/4724"}],"wp:attachment":[{"href":"https:\/\/nadinospina.org\/en\/wp-json\/wp\/v2\/media?parent=1561"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}