{"id":1260,"date":"2019-06-21T21:26:51","date_gmt":"2019-06-21T21:26:51","guid":{"rendered":"https:\/\/nadinospina.org\/?page_id=1260"},"modified":"2025-09-03T12:27:21","modified_gmt":"2025-09-03T12:27:21","slug":"obras-en-espacio-publicos","status":"publish","type":"page","link":"https:\/\/nadinospina.org\/en\/obras-en-espacio-publicos\/","title":{"rendered":"Works in public spaces"},"content":{"rendered":"

<\/p>\n\n\n\n

Paseante<\/h2>\n\n\n
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\"Danzantes\" (\"Dancers\"). <\/a><\/strong>2020. Video projection. Museum of Anthropology of Madrid<\/figcaption><\/figure>\n<\/div>\n\n
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E<\/a>l Paseante.<\/a> <\/strong>2020. Museo de Antropolog\u00eda de Madrid.<\/figcaption><\/figure>\n<\/div>\n\n
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Paseantes.<\/strong> 2019. Biblioteca Nacional. Bogot\u00e1<\/figcaption><\/figure>\n<\/div>\n\n
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El Paseante.<\/strong> 2006. Colecci\u00f3n Museo de las Am\u00e9ricas. Denver. Colorado. EEUU.<\/figcaption><\/figure>\n<\/div>\n\n\n

Pensador<\/h2>\n\n\n
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El Pensador.<\/strong> 2009. Bronce. Edificio Bancolombia. Medell\u00edn<\/figcaption><\/figure>\n<\/div>\n\n\n
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Installation of the piece \"El Pensador\" (The Thinker)<\/strong>. Bancolombia Building. Medell\u00edn. 2009<\/figcaption><\/figure>\n\n\n
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Montage of the piece \"El Pensador\" (The Thinker)<\/strong>. Bancolombia Building. Medell\u00edn. 2009<\/figcaption><\/figure>\n<\/div>\n\n\n

EL RETORNO DE LOS PR\u00cdNCIPES<\/strong><\/h2>\n\n\n\n
\"\"<\/a>
\"Pr\u00edncipes\" (Princes).<\/strong> 1991. Bronze. Set of 8 pieces. Public work installed at the Banco Union Building. Calle 72 with Carrera 7a in Bogota.\nWinner project in 1988 of the second prize of the Ciudad Salitre Art Contest.<\/figcaption><\/figure>\n\n\n
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El retorno de los pr\u00edncipes<\/em><\/strong>.<\/a> 1991. Bronce. Conjunto de 8 piezas.<\/figcaption><\/figure>\n<\/div>\n\n
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Edificio Banco Uni\u00f3n. Bogot\u00e1.<\/figcaption><\/figure>\n<\/div>\n\n
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\"Pr\u00edncipes\" (Princes). <\/strong>1991. Bronze.<\/figcaption><\/figure>\n<\/div>\n\n
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\"Pr\u00edncipes\" (Princes). <\/strong>1991. Bronze.<\/figcaption><\/figure>\n<\/div>\n\n
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“Pr\u00edncipes”<\/a>.<\/strong> Instalaci\u00f3n en la parte interior del edificio Banco Union. Bogot\u00e1<\/figcaption><\/figure>\n<\/div>\n\n\n

Obras de gran formato<\/h1>\n\n\n\n

Altlante<\/h2>\n\n\n
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\"\"<\/figure>\n<\/div>\n\n\n

\"Atlante\".<\/strong><\/em> 2005. Bronze. 200 x 54 x 58 cm. Bochica Project Collection.<\/p>\n\n\n

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\"Atlante\".<\/strong><\/em> 2005. Bronze. 200 x 54 x 58 cm. Bochica Project Collection.<\/p>\n\n\n

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Atlante.<\/a><\/em><\/strong>\u00a02020. Bronce. 200 x 53 x 53 cm. Colecci\u00f3n del campus de la Universidad del Norte. Barranquilla. Colombia<\/figcaption><\/figure>\n<\/div>\n\n\n

Jugador de pelota<\/h2>\n\n\n
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\"\"<\/figure>\n<\/div>\n\n\n

\"Jugador de pelota\" (Ball player). <\/strong><\/em>2001. Bronze. 2 x 1,50 x 1,50 mt.<\/p>\n\n\n\n

\u00cddolos<\/h2>\n\n\n
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\"\"<\/figure>\n<\/div>\n\n\n

Producci\u00f3n de pieza monumental. Taller de fundici\u00f3n Vil\u00e0. Madrid<\/p>\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n

\u00cddolo con Calavera<\/em><\/strong>. 2001. Bronce. 200 x 100 x 90 cm. Tropezina Beach. Saint Tropez. Francia. <\/p>\n\n\n\n

Chacmooll<\/h2>\n\n\n
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\"\"<\/figure>\n<\/div>\n\n\n

Chacmool Emperador<\/em>. <\/strong>2008. Talla en Piedra. 190 x 100 x 80. Colecci\u00f3n particular. Medell\u00edn.<\/p>\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n

Chacmool <\/em><\/strong> 2000<\/em>. Piedra tallada. 73 x 100 x 31 cms.<\/p>\n\n\n\n

Colecci\u00f3n Moises and Diana Berezdivin Puerto Rico.  <\/p>","protected":false},"excerpt":{"rendered":"

Paseante Pensador EL RETORNO DE LOS PR\u00cdNCIPES Obras de gran formato Altlante Atlante. 2005. Bronce. 200 x 54 x 58 cm. Colecci\u00f3n Proyecto Bochica. Atlante. 2005. Bronce. 200 x 54 x 58 cm. Colecci\u00f3n Proyecto Bochica. Jugador de pelota Jugador de pelota. 2001. Bronce. 2 x 1,50 x 1,50 mt. \u00cddolos Producci\u00f3n de pieza monumental. […]<\/p>\n","protected":false},"author":154715982,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_wpcom_ai_launchpad_about_page":false,"_wpcom_ai_launchpad_gallery_page":false,"_wpcom_ai_launchpad_contact_page":false,"_wpcom_ai_launchpad_events_page":false,"_wpcom_ai_launchpad_video_page":false,"_wpcom_ai_launchpad_portfolio_piece":false,"footnotes":""},"class_list":["post-1260","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/PaPj6W-kk","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/nadinospina.org\/en\/wp-json\/wp\/v2\/pages\/1260","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nadinospina.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nadinospina.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nadinospina.org\/en\/wp-json\/wp\/v2\/users\/154715982"}],"replies":[{"embeddable":true,"href":"https:\/\/nadinospina.org\/en\/wp-json\/wp\/v2\/comments?post=1260"}],"version-history":[{"count":33,"href":"https:\/\/nadinospina.org\/en\/wp-json\/wp\/v2\/pages\/1260\/revisions"}],"predecessor-version":[{"id":9522,"href":"https:\/\/nadinospina.org\/en\/wp-json\/wp\/v2\/pages\/1260\/revisions\/9522"}],"wp:attachment":[{"href":"https:\/\/nadinospina.org\/en\/wp-json\/wp\/v2\/media?parent=1260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}